Set in the 17th century and based on a true-life historical figure, this novel is a swashbuckling tale of exotic lands, romance, and hair-raising adventures. Andrew Battell is a buccaneer on a British ship when he is taken prisoner by Portuguese pirates. Injured and ailing, Andrew is brought to the west coast of Africa where his only solace is Dona Teresa, a young woman who nurses him back to health. Once his health is restored, AndrewOCOs only hope to return home is to first serve his Portuguese masters, but it is a hope that dwindles as he is pulled further and further into the interior of the continent, into the land of the JaqqaOCothe regionOCOs most fierce and feared cannibal tribeOCooverseen by the powerful Lord of Darkness. Survival means becoming one with the Jaqqa; if he can endure their gruesome rites and initiations. Originally published in 1984, this story by a master of science fiction and fantasy demonstrates the timelessness of any great adventure and will provoke thought in a new audience on the determination to persevere at any cost."

Seeking the immortality promised in an ancient manuscript, The Book of Skulls, four friends, college roommates, go on a spring break trip to Arizona: Eli, the scholar, who found and translated the book; Timothy, scion of an American dynasty, born and bred to lead; Ned, poet and cynic; and Oliver, the brilliant farm boy obsessed with death. Somewhere in the desert lies the House of Skulls, where a mystic brotherhood guards the secret of eternal life. There, the four aspirants will present themselves–and a horrific price will be demanded. For immortality requires sacrifice. Two victims to balance two survivors. One by suicide, one by murder. Now, beneath the gaze of grinning skulls, the terror begins. . . .

Silverberg, winner of four Hugos and five Nebulas, presents a riveting tale of an epic voyage of survival in a hostile environment. On the watery world of Hydros, humans live on artificial islands and keep an uneasy peace with the native race of amphibians. When a group of humans angers their alien hosts, they are exiled--set adrift on the planet's vast and violent sea.

A thrilling retelling of the Epic of Gilgamesh, by one of the greatest storytellers of his generation Gilgamesh’s appetite for wine, women, and warfare is insatiable. As the King of Uruk, he oppresses his people and burdens his city. To temper his excesses, the gods create Enkidu, Gilgamesh’s equal, who becomes his greatest friend. Together they wander the kingdom as brothers, conquering demons until a cruel twist changes Gilgamesh’s path forever. Two parts god and one part man, Gilgamesh is mortal—a fate he now resolves to overcome, no matter what the price. And so he embarks on another journey, in pursuit of vengeance and the ultimate prize for a mortal king: eternal life. This ebook features an illustrated biography of Robert Silverberg including rare images and never-before-seen documents from the author’s personal collection.

Tom Rand, a practical engineer, and two other men are the only survivors of a spaceship explosion. Marooned on a hostile planet, they are being held captive by a group of “aliens.” Their one slim chance of survival is to reach a rescue beacon placed on the planet years before by men from Earth. Can the three survivors escape what seems like certain, immediate death? And if they do, can they make their way through a jungle filled with untold dangers and reach the beacon in time?

A remarkable collection, Robots through the Ages includes stories from some of the best writers of science fiction, both old and new. This anthology, with an introduction by Robert Silverberg, offers a sweeping survey of robots as depicted throughout literature. Since the Iliad--in which we are shown golden statues built by Hephaestus "with minds and wisdoms"--humans have been fascinated by the idea of artificial life. From the Argonautica to the medieval Jewish legend of the Golem and Ambrose Bierce's tale of a chess-playing robot, the idea of what robots are--and who creates them--can be drastically different. This book collects a broad selection of short stories from celebrated authors such as Philip K. Dick, Seanan McGuire, Roger Zelazny, Connie Willis, and many more. Robots through the Ages not only celebrates the history of robots and the genre of science fiction, but the dauntless nature of human ingenuity.

Realm of the Elderlings: Homecoming / Robin Hobb A Song of Ice and Fire: The Sworn Sword / George R.R. Martin The Tales of Alvin Maker: The Yazoo Queen / Orson Scott Card Outlander: Lord John and the Succubus / Diana Gabaldon Majipoor: The Book of Changes / Robert Silverberg Otherland: The Happiest Dead Boy in the World / Tad Williams Pern: Beyond Between / Anne McCaffrey The Riftwar: The Messenger / Raymond E. Feist The Symphony of Ages: Threshold / Elizabeth Haydon American gods: The Monarch of the Glen / Neil Gaiman Shannara: Indomitable / Terry Brooks 1 ROBIN HOBB returns to the Realm of the Elderlings with “Homecoming,” a powerful tale in which exiles sent to colonize the Cursed Shores find themselves sinking into an intoxicating but deadly dream . . . or is it a memory? 2 GEORGE R. R. MARTIN continues with Dunk, a young hedge knight, and his unusual squire, Egg, in “The Sworn Sword,”. 3 ORSON SCOTT CARD puts Alvin Maker on the mighty Mississippi with ne’er-do-wells Jim Bowie and Abe Lincoln, in “The Yazoo Queen.” 4 DIANE GABALDON puts Outlander misfit in “Lord John and the Succubus,” a supernatural thriller set in the early days of the Seven Years War. 5 ROBERT SILVERBERG has a dilettantish poet in “The Book of Changes.” 6 TAD WILLIAMS explores the strange afterlife of Orlando Gardiner from Otherland in “The Happiest Dead Boy in the World.” 7 ANNE McCAFFREY shines a light into Pern in “Beyond Between.” 8 RAYMOND E. FEIST sends one soldier on the ride of his life, an ordinary time for “The Messenger.” 9 ELIZABETH HAYDON relates the destruction of Serendair and the fate of its last defenders in “Threshold,” 10 NEIL GAIMAN tells of the man Shadow, after American Gods in “The Monarch of the Glen.” 11 TERRY BROOKS adds an exciting epilogue to The Wishsong of Shannara in “Indomitable,” how Jair Ohmsford’ destroys the evil Ildatch, armed only with illusion.

Simeon Krug has a vision--and the vast wealth necessary to turn dream into reality. What he wishes is to communicate with the stars, to answer signals from deep space. The colossal tower he's constructing for this purpose soars above the Arctic tundra, and the seemingly perfect androids building it view Krug as their god. But, Krug is only flesh-and-blood, and when his androids discover the truth, their anger knows no bounds...and it threatens much more than the tower. "...a multi-levelled work of high adventure, considerable tension and social consciousness."--Harlan Ellison.

This story, “To See the Invisible Man,” written in June of 1962, marks the beginning of my real career as a science-fiction writer, I think. The 1953-58 stories collected in To Be Continued, the first of this series of volumes, are respectable professional work, some better than others but all of them at least minimally acceptable—but most of them could have been written by just about anyone. Aside from a few particularly ambitious items, they were designed to slip unobtrusively into the magazines of their time, efficiently providing me with regular paychecks. But now, by freeing me from the need to calculate my way around the risk of rejection, Fred Pohl allowed—indeed, required—me to reach as deep into my literary resources as I was capable of doing. I knew that unless I gave him my very best, the wonderful guaranteed-sale deal I had with him would vanish as quickly as it had appeared. Therefore I would reach deeper and deeper, in the years ahead, until I had moved so far away from my youthful career as a hack writer that latecomers would find it hard to believe that I had been emotionally capable of writing all that junk, let alone willing to do it. In “To See the Invisible Man” the distinctive Silverberg fictional voice is on display for just about the first time. Table of Contents: Introduction To See The Invisible Man The Pain Peddlers Neighbor The Sixth Palace Flies Halfway House To The Dark Star Hawksbill Station Passengers Bride 91 Going Down Smooth Fangs of the TREES Ishmael in Love Ringing the Changes Sundance How It Was When the Past Went Away A Happy Day in 2381 (Now + n, Now - n ) After the Myths Went Home The Pleasure of Their Company We Know Who We Are

Who knoweth the spirit of men that goeth upward, and the spirit of the beast that goeth downward to the earth? -Ecclesiastes 3:21 Okay, they did resemble elephants, it can't be denied. That led many people to underestimate the Nildoror and their obviously more fearsome commensals, the Sulidoror. But aliens should never be judged by human standards, as the Company learned to its cost when Holman's World, now once again known as Belzagor, was given back to the natives and the Company sent packing. Now Edmund Gunderson, once head of the Company's operation on this world, has come back across the galaxy to settle old scores with the Nildoror. If he can even get them to acknowledge his existence. Cover Artist: Gene Szafran

The national bestselling saga of Robert Silverberg's stunning imagination continues in the first new hardcover Majipoor novel in nearly a decade. As a prequel to Silverberg's earlier Majipoor novels. Sorcerers of Majipoor provides a deep, dark vision for the background of the conflict in Lord Valentine's Castle and Valentine Pontifex. Treachery and wizardry run rampant under the reign of the mighty Pontifex, as both the rightful and the unworthy heirs to the throne anxiously await his demise. Korsibar, son of the current Coronal, plots with his twin sister and ambitious companions to seize the power of the Coronal when his father ascends to the throne of the Pontifex. But the burdens of the crown and scepter exact more of a price than Korsibar is prepared to pay. His rival fights to take his appointed place as keeper of his beloved Majipoor . . . and to resbackse order to the utter chaos that has befallen their world.

In 2006, Robert Silverberg published In the Beginning, a generous selection of stories from the early, developmental stages of his distinguished sixty-year career. Fast-paced, energetic, and unabashedly pulp-like in their origins and ambitions, those stories proved to be an unexpected gift to Silverberg’s many readers. That gift continues with Early Days, a second volume of apprentice fiction as wide-ranging and enjoyable as the first. Early Days collects seventeen impossible to find stories from the years 1956 to 1958, supplemented by a fascinating introduction and extensive notes on the creation and publication history of each story. Together, these non-fiction pieces constitute both an episodic memoir and an affectionate history of an era when pulp magazines still dominated the SF marketplace. Without exception, each of the stories in Early Days offers honest, unpretentious entertainment. The astonishingly prolific Silverberg may have had a bit to learn back then, but he had an innate understanding of narrative that shines through every one of these tales. The stories range in tone from the grimly dystopian future of “The Inquisitor” to the playful “Space Is the Place,” in which a maintenance technician from Crawford IX experiences comic culture shock during a mandatory vacation on Earth. “Rescue Mission” revolves around the telepathic connection between two interplanetary intelligence agents. “Housemaid No. 103” provides a humorous glimpse into the romantic difficulties of a far future matinee idol. “Harwood’s Vortex” combines a mad scientist, alien invaders, and the possible end of life as we know it into a single colorful narrative. Silverberg, of course, would evolve into one of the genuine masters of the genre, and this retrospective collection of early work offers invaluable insights into his development. Silverberg himself calls Early Days “an affectionate tribute to my hardworking self of more than half a century ago.” It is all of that and more. Anyone with an interest in Silverberg’s career, or in the history and evolution of modern science fiction, needs to read this book. They may not write ‘em like this anymore, but once upon a time they did. And looking back has never been so much fun.

A brother's "message cubes" to his twin sister relate the unusual adventures of the archaeological expedition he accompanies into space in the twenty-fourth century.