
He Walked Among Us
Norman Spinrad
Science Fiction & Fantasy
From Publishers WeeklySpinrad's shrill messianic novel reaches the U.S. eight years after its first publication in French. Texas Jimmy Balaban is convinced that stand-up comedian Ralf, a self-proclaimed refugee from a horrific world of tomorrow, could be a megastar. Jimmy drafts jaded SF writer Dexter Lambkin and New Age guru Amanda Robin to effect this transformation. Amanda eagerly accepts Ralf at face value, and cynical Dexter is surprised to find himself also falling under Ralf's spell even as the new role takes a terrible toll on the comedian. Spinrad alternates between revulsion at overweight SF fans, whom Dexter shamelessly manipulates for egoboo pussy and joke fodder, and an unshakable conviction that these Monkey People can change the world if they just apply themselves. Even Spinrad's venerable name won't sell this book to the readers he so palpably despises, leaving it without an audience. (Apr.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From BooklistStarred Review In the pantheon of elderly, still active sf authors, Spinrad occupies a seat somewhere outside the circle of grand masters like Vance and Silverberg. Yet a few of his works, like pre-cyberpunk novel Bug Jack Barron (1969), belong among the genre’s classics. Moreover, his latest, a sprawling, satirical epic featuring a stand-up comedian allegedly from the future, just may be his magnum opus. When two-bit talent agent Texas Jimmy Balaban retreats to a Catskills resort with his latest mistress, the last person he expects to meet is an offbeat jokester with unlimited showbiz potential named Ralf. Billing himself as a comedian from Earth’s environmentally decimated future, Ralf has enough timing and novelty appeal to be a hit. With the help of New Age acting coach Amanda Robin and fading sf writer Dexter Lampkin, Balaban polishes Ralf’s image and material enough to land a lucrative TV contract. While to Balaban Ralf simply represents dollar signs, Lampkin Ralf’s acerbic shtick, littered with dire ecological warnings, represents a wake-up call for humanity. But to Amanda, he may be something much more: a godlike entity beyond space and time. Spinrad skillfully blends environmentalism and mysticism with time travel and biting satire in a funny, intriguing tale that’s one of his best and one of the best sf novels of the new century to date. --Carl Hays
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