For many, the moon landing was the defining event of the twentieth century. So it seems only fitting that Norman Mailer—the literary provocateur who altered the landscape of American nonfiction—wrote the most wide-ranging, far-seeing chronicle of the Apollo 11 mission. A classic chronicle of America’s reach for greatness in the midst of the Cold War, Of a Fire on the Moon compiles the reportage Mailer published between 1969 and 1970 in Life magazine: gripping firsthand dispatches from inside NASA’s clandestine operations in Houston and Cape Kennedy; technical insights into the magnitude of their awe-inspiring feat; and prescient meditations that place the event in human context as only Mailer could. Praise for Of a Fire on the Moon   “The gift of a genius . . . a twentieth-century American epic—a Moby Dick *of space.”—New York  * “Mailer’s account of Apollo 11 stands as a stunning image of human energy and purposefulness. . . . It is an act of revelation—the only verbal deed to be worthy of the dream and the reality it celebrates.”—Saturday Review “A wild and dazzling book.”—The New York Times Book Review   “Still the most challenging and stimulating account of [the] mission to appear in print.”—The Washington Post  * Praise for Norman Mailer   “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times “A writer of the greatest and most reckless talent.”—The New Yorker “Mailer is indispensable, an American treasure.”—The Washington Post “A devastatingly alive and original creative mind.”—Life “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati Post***

A dark, brilliant novel of astonishing pitch, set in Provincetown, a "spit of shrub and dune" captured here in the rawness and melancholy of the off-season, "Tough Guys Don't Dance" is the story of Tim Madden, an unsuccessful writer addicted to bourbon, cigarettes, and blonde, careless women with money. On the twenty-fourth morning after the decampment of his wife, Patty Lareine, he awakens with a hangover, considerable sexual excitement, and, on his upper arm, a red tattoo bearing a name from the past. Of the night before, he remembers practically nothing. What he soon learns is that the front passenger seat of his Porsche is soaked with blood and that in a secluded corner of his marijuana stash in a nearby woods rests a blonde head, severed at the throat. Is Madden therefore a murderer? He has no way of knowing. As in many novels of crime, the narrative centers on violence--physical, sexual, and emotional--but these elements move in their orbits through a rich constellation of character as Madden tries to reconstruct the missing hours of a terrible evening. In the course of this in-quiry a bizarre and vividly etched gallery of characters reappears to him as in a dream--ex-prizefighters, sexual junkies, mediums, former cons, a police chief, a world-weary former girl friend, and Mad-den's father, old now but still a Herculean figure, a practitioner of the sternest backroom ethics. "Tough Guys Don't Dance" represents Mailer at the peak of his powers with a stunningly conceived novel that soon transcends its origins as a mystery to become a relentless search into the recesses and buried virtues of the modern American male. Rarely, as many readers will discern, have the paradoxes ofmachismo and homosexuality been so well explored.

The American soul in its many shapes and guises has always been Norman Mailer's primary literary interest. Now, here in the full maturity of his powers, he confronts that subject face to face. Harlot's Ghost is Mailer's masterpiece, his crowning achievement, his long-awaited great American novel. It is a vast novel of the CIA, and a deep look into the depths of the American soul from which the CIA--its people and its works--emerged.

“Writing is spooky,” according to Norman Mailer. “There is no routine of an office to keep you going, only the blank page each morning, and you never know where your words are coming from, those divine words.” In The Spooky Art, Mailer discusses with signature candor the rewards and trials of the writing life, and recommends the tools to navigate it. Addressing the reader in a conversational tone, he draws on the best of more than fifty years of his own criticism, advice, and detailed observations about the writer’s craft.Praise for *The Spooky Art “The Spooky Art shows Mailer’s brave willingness to take on demanding forms and daunting issues. . . . He has been a thoughtful and stylish witness to the best and worst of the American century.”*—The Boston Globe“At his best—as artists should be judged—Mailer is indispensable, an American treasure. There is enough of his best in this book for it to be welcomed with gratitude.”—The Washington Post “The richest book ever written about the writer’s subconscious.”*—The Philadelphia Inquirer“Striking . . . entrancingly frank.”—*Entertainment Weekly Praise for Norman Mailer “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”*—The New York Times“A writer of the greatest and most reckless talent.”—The New Yorker“Mailer is indispensable, an American treasure.”*—The Washington Post“A devastatingly alive and original creative mind.”—*Life“Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”*—The New York Review of Books“The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—*Chicago Tribune“Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”*—The Cincinnati Post From the Hardcover edition.

Desert D'Or is the fashionable Californian resort where Hollywood's elite converge when they need a break. It is an incestuous hothouse of a town - a haven for manipulators, film stars, lovers, pimps, producers, whores, gamblers, scriptwriters and cheats. Into this nightmare world of depravity arrives Sergius O'Shaughnessy, recently discharged from the Air Force, traumatised by his ar experiences and trying to write the Great American Novel. But O'Shaughnessy's burning ambition begins to lose its edge; lured by greed and rules by weakness, he soon becomes disturbingly familiar with the dnagerous life of slick compromises and sexual follies... The Deer Park is a powerful and vigorous satire on Hollywood's excesses and corruption. Combining a savage imagination with a heightened documentary realism, Mailer paints an uncompromising and terrifying portriat of a decadent society lost in moral confusion and despair.

A towering figure in American literature, Norman Mailer has in recent years reached a new level of accessibility and power. His last novel, The Castle in the Forest, revealed fascinating ideas about faith and the nature of good and evil. Now Mailer offers his concept of the nature of God. His conversations with his friend and literary executor, Michael Lennon, show this writer at his most direct, provocative, and challenging. “I think,” writes Mailer, “that piety is oppressive. It takes all the air out of thought.”In moving, amusing, probing, and uncommon dialogues conducted over three years but whose topics he has considered for decades, Mailer establishes his own system of belief, one that rejects both organized religion and atheism. He presents instead a view of our world as one created by an artistic God who often succeeds but can also fail in the face of determined opposition by contrary powers in the universe, with whom war is waged for the souls of humans. In turn, we have been given freedom–indeed responsibility–to choose our own paths. Mailer trusts that our individual behavior–always a complex mix of good and evil–will be rewarded or punished with a reincarnation that fits the sum of our lives. Mailer weighs the possibilities of “intelligent design” at the same time avowing that sensual pleasures were bestowed on us by God; he finds fault with the Ten Commandments–because adultery, he avers, may be a lesser evil than others suffered in a bad marriage–and he holds that technology was the Devil’s most brilliant creation. In short, Mailer is original and unpredictable in this inspiring verbal journey, a unique vision of the world in which “God needs us as much as we need God.”From The Naked and the Dead to The Executioner’s Song and beyond, Mailer’s major works have engaged such themes as war, politics, culture, and sex. Now, in this small yet important book, Mailer, in a modest, well-spoken style, gives us fresh ways to think about the largest subject of them all.From the Hardcover edition.Review“[Displays] the glory of an original mind in full provocation.”–USA Today“[Mailer’s] theology is not theoretical to him. After eight decades, it is what he believes. He expects no adherents, and does not profess to be a prophet, but he has worked to forge his beliefs into a coherent catechism.”–New York“At once illuminating and exciting . . . a chance to see Mailer’s intellect as well as his lively conversational style of speech.”–American Jewish LifeFrom the Trade Paperback edition.About the AuthorNorman Mailer was born in 1923 in Long Branch, New Jersey, and grew up in Brooklyn, New York. In 1955, he was one of the co-founders of The Village Voice. He is the author of more than thirty books, including The Naked and the Dead; The Armies of the Night, for which he won a National Book Award and the Pulitzer Prize; The Executioner’s Song, for which he won his second Pulitzer Prize; Harlot’s Ghost; Oswald’s Tale; The Gospel According to the Son; and The Castle in the Forest. Mr. Mailer passed away Saturday November 10th, 2007.

"MARVELOUS . . . BREATHTAKING."--The New York Times Book Review"MAILER SHINES . . . Explaining Kennedy's assassination through the flaws in Oswald's character has been attempted before, notably by Gerald Posner in Case Closed and Don Delillo in Libra. But neither handled Oswald with the kind of dexterity and literary imagination that Mailer here supplies in great force. . . . Oswald's Tale weaves a story not only about Oswald or Kennedy's death but about the culture surrounding the assassination, one that remains replete with miscomprehensions, unraveled threads and lack of resolution: All of which makes Oswald's Tale more true-to-life than any fact-driven treatise could hope to be. . . . Vintage Mailer."--The Philadelphia Inquirer"FASCINATING . . . A MASTER STORYTELLER . . . Mailer gives us our clearest, deepest view of Oswald yet. . . . Inside three pages you are utterly absorbed."--Detroit Free Press"MAILER AT HIS BEST . . . LIVELY AND CONVINCING . . . EXTREMELY LUCID . . . Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance. . . . [He] has found a way to make the dry bones of KGB tapes and his own interviews stand up and perform. . . . From the American master conjurer of dark and swirling purpose, a moving reflection."--Robert StoneThe New York Review of Books"THIS IS A NARRATIVE OF TREMENDOUS ENERGY AND PANACHE; THE AUTHOR AT THE TOP OF HIS FORM."--Christopher HitchensFinancial Times"Mailer has written some pretty crazy books in his time, but this isn't one of them. Like its predecessor, Harlot's Ghost, it is the performance of an author relishing the force and reach of his own acuity."--Martin AmisThe London Sunday TimesFrom the Trade Paperback edition.

Norman Mailer was one of the towering figures of twentieth-century American letters and an acknowledged master of the essay. Mind of an Outlaw, the first posthumous publication from this outsize literary icon, collects Mailer's most important and representative work in the form that many rank as his most electrifying. As America's foremost public intellectual, Norman Mailer was a ubiquitous presence in our national life--on the airwaves and in print--for more than sixty years. With his supple mind and pugnacious persona, he engaged society more than any other writer of his generation. The trademark Mailer swagger is much in evidence in these pages as he holds forth on culture, ideology, politics, sex, gender, and celebrity, among other topics. Here is Mailer on boxing, Mailer on Hemingway, Mailer on Marilyn Monroe, and, of course, Mailer on Mailer--the one subject that served as the beating heart of all of his nonfiction. From his early essay "A...