Amazon.com Review

Penzler Pick, February 2001: The very thing that first hooked me on mysteries long ago is the element most on display in this fat and satisfying volume: amazement. Not whodunit or why, but how. And that really means wow, as in, "Wow, I can't believe what I just read!" Such cases were originally the province of Edgar Allan Poe's Inspector Dupin, whose unraveling of such sensational "impossible" crimes as "The Murders in the Rue Morgue" gave the reading public of an earlier era its appetite for gasp-inducing solutions. Just a few decades later the mystery genre had progressed to a more rational approach, with which Arthur Conan Doyle equipped Sherlock Holmes, though the crimes demanding our greatest sleuth's attention were highly fanciful more often than not. Snakes in airshafts menacing gentlewomen! Clubs restricted to redheaded fellows! Wow!Next appeared the exceedingly baroque whimsies of John Dickson Carr, who eventually grew to feel the strain of being regarded as the Houdini of mystery literature. But before he saw his powers of invention begin to flag, Carr, who also wrote as Carter Dickson, had defined the subgenre of locked-room crime for all time, producing over 50 novels and dozens of short stories featuring some startling variations on the theme. The Hollow Man, published in the U.S. as The Three Coffins, is considered by experts to be this author's greatest achievement. It offers in the course of the story a seminal lecture about the locked-room crime.In this bargain tome, Carr is represented by "The Silver Curtain," in which a man standing alone in a cul-de-sac is fatally stabbed in the back. From a less well-known writer, Clayton Rawson (a real-life magician as well as an authorial one), comes a tale written in response to a challenge by Carr, his friend and rival: make a man vanish from a phone booth. (He succeeds, of course.) Also on hand are four clever contemporary tricksters: Peter Lovesey, H.R.F. Keating, Lawrence Block, and Edward D. Hoch. There's almost too much entertainment value in these 29 tales assembled by veteran editor and mystery scholar Mike Ashley. "I've endeavored to bring together a collection of stories," he says, "that seem utterly baffling and where the solution is equally amazing." That's OK. Ration them, and you'll only savor them more. --Otto Penzler

Product Description

A new collection of baffling crime tales to challenge the armchair detective. With twenty-nine tales of impossible crime, this new anthology from veteran mystery editor Mike Ashley follows in the tradition of his top-selling The Mammoth Book of Historical Detectives and The Mammoth Book of New Sherlock Holmes Adventures. It includes perplexing tales, many of them in print for the first time, by such masters of mystification as Michael Collins, H. R. F. Keating, Peter Lovesey, Kate Ellis, Susanna Gregory, Bill Pronzini, and Lawrence Block.

Product Description

In Chicago and New York, in sleazy speakeasies and on Easy Street, to the strains of jazz and the beat of the Charleston, the twenties roared. The horrors of the Great War behind it, the decade went mad with abandon—and mad over the movies, radio, telephones, and the motorcar. But beneath the froth and the folly, the razzle and dazzle, lay a darker world, a hard and often violent world, for the twenties belonged as much to the gangster as they did to the flapper. The stories in this vastly entertaining collection of whodunnits crafted by talents like Amy Myers, Robert Randisi, Jon L. Breen, Edward D. Hoch, Marilyn Todd, and Mike Stotter reflect the allures—and the deadly dangers—of both those worlds.