Raymond Chandler’s incomparable private eye is back, pulled by a seductive young heiress into the most difficult and dangerous case of his career“It was one of those summer Tuesday afternoons when you begin to wonder if the earth has stopped revolving. The telephone on my desk had the look of something that knows it’s being watched. Traffic trickled by in the street below, and there were a few pedestrians, too, men in hats going nowhere.”So begins The Black-Eyed Blonde, a new novel featuring Philip Marlowe—yes, that Philip Marlowe. Channeling Raymond Chandler, Benjamin Black has brought Marlowe back to life for a new adventure on the mean streets of Bay City, California. It is the early 1950s, Marlowe is as restless and lonely as ever, and business is a little slow. Then a new client is shown in: young, beautiful, and expensively dressed, she wants Marlowe to find her former lover, a man named Nico Peterson. Marlowe sets off on his search, but almost immediately discovers that Peterson’s disappearance is merely the first in a series of bewildering events. Soon he is tangling with one of Bay City’s richest families and developing a singular appreciation for how far they will go to protect their fortune.Only Benjamin Black, a modern master of the genre, could write a new Philip Marlowe novel that has all the panache and charm of the originals while delivering a story that is as sharp and fresh as today’s best crime fiction.

Review

"Somewhere Raymond Chandler is smiling, because this is a beautifully rendered hardboiled novel that echoes Chandler's melancholy at perfect pitch. The story is great, but what amazed me is how John Banville caught the cumulative effect Chandler's prose had on readers. It's hard to quantify, but it's also what separated the Marlowe novels from the general run of noir (which included some damn fine novelists, like David Goodis and Jim Thompson). The sadness runs deep. I loved this book. It was like having an old friend, one you assumed was dead, walk into the room. Kind of like Terry Lennox, hiding behind those drapes."—Stephen King"Banville channeling Chandler is irresistible—a double whammy of a mystery. Hard to think anyone could add to Chandler with profitable results. But Banville most definitely gets it done."—Richard Ford "Despite Robert B. Parker’s lengthy experience in the PI genre, his sequel to The Big Sleep, Perchance to Dream, pales in comparison with Black’s pitch-perfect recreation of the character and his time and place. As for the language, Black nails Chandler’s creative and memorable similes and metaphors....While the mystery is well-plotted, Black elevates it beyond mere thoughtful homage with a plausible injection of emotion in his wounded lead."—Publishers Weekly (boxed and starred review)"Black offers stylish homage to Raymond Chandler in this tightly written caper that picks up Marlowe’s life from the point the series ended….The homage game is a tricky one to play, but Black makes all the right moves. Great fun for Chandlerians."—Booklist"Black… deliver[s] a more complex and satisfying mystery than other authors have done in the past. This latest incarnation of Chandler’s sleuth with appeal to fans of Chandler and Marlowe, but newcomers to one of the first great PIs in crime fiction will find much to enjoy here as well."—Library Journal"A treat for fans."—Kirkus Reviews

About the Author

Benjamin Black is the pen name of the Man Booker Prize-winning novelist John Banville. The author of the bestselling and critically acclaimed series of Quirke novels—including Christine Falls, Vengeance, and Holy Orders—he lives in Dublin.

When the body of his daughter’s friend is brought to his autopsy table, Quirke is plunged into a world of corruption that takes him to the darkest corners of the Irish Church and State.“At first they thought it was the body of a child. Later, when they got it out of the water and saw the pubic hair and the nicotine stains on the fingers, they realized their mistake.”So begins Holy Orders, the latest Quirke case set in Dublin at a moment when newspapers are censored, social conventions are strictly defined, and appalling crimes are hushed up. Why? Because in 1950s Ireland the Catholic Church controls the lives of nearly everyone. But when Quirke’s daughter Phoebe loses her close friend Jimmy Minor to murder, Quirke can no longer play by the Church’s rules. Along with Inspector Hackett, his sometime partner, Quirke investigates Jimmy’s death and learns just how far the Church and its supporters will go to protect their own interests.Haunting, fierce, and brilliantly plotted, this is Benjamin Black writing at the top of his form. His inimitable creation, the endlessly curious Quirke, brings a pathologist’s unique understanding of death to unlock the most dangerous of secrets.