If you’ve been frightened by the monsters in the great horror films, you’ll be terrified by the original stories.Whether its the old, classic black-and-white pictures such as Frankenstein or Dracula that you relish, or the modern special effects spectaqulars likethe Thing or Gremlins that haunt your wildest nightmares, you’ll find plenty more heart-thumpers in this unique dramatically anthology of short stories which have inspired some of the most famous cinema chillers of the century.Together with introductions by editor Peter Haining, in which he describes their background, here is a selection of the finest  short stories by master writers in the superntural genre.

In the second Camilla MacPhee mystery, it's now forty below in Canada's capital, but victims' advocate Camilla is feeling the heat. When a savage serial batterer goes on the rampage looking for revenge against his former girlfriend, the terrified woman turns to Camilla and Justice for Victims for help. But a sudden change of fortune causes her client to really feel the chill. Camilla wades into the investigation, now one of murder, and gets a frosty reception from the police. Soon everyone connected with the case is either cooling their heels behind bars or trying to avoid cold storage in the morgue. Camilla's really skating on thin ice looking for this killer - literally.

An original history of the most enduring colonial creation, the city, explored through ten portraits of powerful urban centers the British Empire left in its wakeAt its peak, the British Empire was an urban civilization of epic proportions, leaving behind a network of cities which now stand as the economic and cultural powerhouses of the twenty-first century. In a series of ten vibrant urban biographies that stretch from the shores of Puritan Boston to Dublin, Hong Kong, New Delhi, Liverpool, and beyond, acclaimed historian Tristram Hunt demonstrates that urbanism is in fact the most lasting of Britain's imperial legacies.Combining historical scholarship, cultural criticism, and personal reportage, Hunt offers a new history of empire, excavated from architecture and infrastructure, from housing and hospitals, sewers and statues, prisons and palaces. Avoiding the binary verdict of empire as "good" or "bad," he traces the collaboration of cultures and...

The Wizard of Oz meets Monsters Inc in this MONSTROUSLY funny stand-alone story from bestselling author phenomenon, Steve Cole.I'm Bob, a human boy stuck in a land of MONSTERS. I'm trying to get out with the help of three - count them, three - incredible creatures.There's Verity, who looks like a giant hamster. Alfie, who's about as scary as a bag of crisps. And Zola, a gorgon who can't turn people to stone (though she can manage cardboard at a push). We're on a crazy, death-defying quest to escape with our lives. And all around us, the cry goes up: STOP THOSE MONSTERS!!!

Life is never easy for Texas Sheriff Dan Rhodes. When he is called in the middle of the night to investigate gunshots at a haunted house, Rhodes finds the body of meth dealer Neil Foshee. Recently released from jail, Foshee has his fair share of potential murderers, including former girlfriend Vicki, her new boyfriend, the nephew of Clearview's mayor, and Foshee's criminal cousins Earl and Louie.Complicating matters is Seepy Benton, the community college math professor who has a new summer job. He's founded Clearview Paranormal Investigations and wants to solve the murder by communing with Foshee's ghost. But when he connects with something else instead and a second body is found, Rhodes is left with more questions than ever. Who's the dead person? How long has the body been hidden? Is Benton really able to communicate with ghosts? And most importantly: What, if anything, does the body have to do with Neil Foshee's death?Between the Living and the Dead, Bill...

EDITORIAL REVIEW: It's nineteen fifty-something, in a dark, cramped, smoke-filled room. Everyone's wearing black. And on-stage a tenor is blowing his heart out, a searching, jagged saxophone journey played out against a moody, walking bass and the swish of a drummer's brushes. To a great many listeners--from African American aficionados of the period to a whole new group of fans today--this is the very embodiment of jazz. It is also quintessential hard bop. In this, the first thorough study of the subject, jazz expert and enthusiast David H. Rosenthal vividly examines the roots, traditions, explorations and permutations, personalities and recordings of a climactic period in jazz history. Beginning with hard bop's origins as an amalgam of bebop and R&B, Rosenthal narrates the growth of a movement that embraced the heavy beat and bluesy phrasing of such popular artists as Horace Silver and Cannonball Adderley; the stark, astringent, tormented music of saxophonists Jackie McLean and Tina Brooks; the gentler, more lyrical contributions of trumpeter Art Farmer, pianists Hank Jones and Tommy Flanagan, composers Benny Golson and Gigi Gryce; and such consciously experimental and truly one-of-a-kind players and composers as Andrew Hill, Sonny Rollins, John Coltrane, Thelonious Monk, and Charles Mingus. Hard bop welcomed all influences--whether Gospel, the blues, Latin rhythms, or Debussy and Ravel--into its astonishingly creative, hard-swinging orbit. Although its emphasis on expression and downright "badness" over technical virtuosity was unappreciated by critics, hard bop was the music of black neighborhoods and the last jazz movement to attract the most talented young black musicians. Fortunately, records were there to catch it all. The years between 1955 and 1965 are unrivaled in jazz history for the number of milestones on vinyl. Miles Davis's Kind of Blue, Charles Mingus's Mingus Ah Um, Thelonious Monk's Brilliant Corners, Horace Silver's Further Explorations--Rosenthal gives a perceptive cut-by-cut analysis of these and other jazz masterpieces, supplying an essential discography as well. For knowledgeable jazz-lovers and novices alike, Hard Bop is a lively, multi-dimensional, much-needed examination of the artists, the milieus, and above all the sounds of one of America's great musical epochs.

Colonel Andrew Keane and his army of Civil War veterans, along with recruits from Rus and Roum, have lost the battle against the Merki and Tugar hordes. To avoid captivity and slaughter, Rus towns including the beloved capital Suzdal must be abandoned, people fleeing by train or by foot to the northern wilderness. Following on the events in TERRIBLE SWIFT SWORD (Lost Regiment #3), the exodus begins, with a new fortress built and preparations for yet further fighting against the savage hordes. Keane has learned from his mistakes, and new battle plans are made to repel the enemy. Their chances of survival are improved thanks to the genius Chuck Fergusen, who comes up with some unexpected and life-saving inventions. The Lost Regiment, with its sympathetic, colorful characters surviving and overcoming seemingly impossible odds, remains one of the most loved and respected American series. “Exciting and moves like a bullet with good characters and battle scenes. . . . An excellent read.” - Analog "With Bill Forstchen, you'll get some of the best adventure writing in years!" 
- Science Fiction Chronicle 

"One of the most intriguing writers today in the field of historical and military science fiction." 
- Harry Turtledove, author of THE GUNS OF THE SOUTH and HOW FEW REMAIN 

on the LOST REGIMENT series: 
"A parallel world novel of majestic sweep and gripping intensity." 
- L. Sprague de Camp, author of LEST DARKNESS FALL and THE ANCIENT ENGINEERS 

"Bill Forstchen is highly respected in the military history community because he is the only one working in the field who understands the operational aspects of war, as well as the tactical and the policy/Strategic levels." - Dr. Dennis Showalter, Past President of the Society for Military History, author of TANNENBERG: CLASH OF EMPIRES William R. Forstchen is the author of over forty books, has a Ph.D. in history from Purdue University and is a Faculty Fellow at Montreat College. His broad spectrum of writing includes science fiction and fantasy, historical fiction, alternate history, several scholarly works, numerous short stories and articles and near-future thrillers ONE SECOND AFTER, ONE YEAR AFTER, THE FINAL DAY, and PILLAR TO THE SKY. **About the Author William R. Forstchen is the author of more than forty books, including the award-winning We Look Like Men of War. He is a professor of history and Faculty Fellow at Montreat College, in Montreat, North Carolina. Forstchen resides near Asheville, North Carolina. 

Private investigator Rachel Alexander and her pit bull Dashiell return in this stylish, dark, emotionally complex seventh mystery from former detective and noted dog trainer Carol Lea Benjamin. When a distraught father approaches private investigator Rachel Alexander in a New York City park, asking her to help find his missing wife, Rachel accepts––reluctantly. After all, the chances of finding a woman who disappeared without a trace––and without a word––five years earlier are slim. But it's the missing woman's daughter who touches her most deeply––a troubled young girl whose mother's disappearance has rendered her mute. The child is also suspected of the murder of her doctor, a rich neurologist who was brutally stabbed one night while he was alone in his office. Rachel knows the disturbed girl can't be a murderer, but her investigation reveals that against all odds, it could be someone from her past. And against a...